‘One of the lions has passed. Rest in peace my lovely friend’ – Meryl Streep pays tribute
Tributes are starting to appear on social media.
Meryl Streep, who starred in Out Of Africa and Lions For Lambs opposite Redford, said in a statement: “One of the lions has passed. Rest in peace my lovely friend.”
Stephen King said he was “part of a new and exciting Hollywood in the 70s and 80s”, while Marlee Matlin said a “genius has passed” and praised Redford for setting up Sundance film festival, which helped launch Coda.
Robert Redford has passed away. He was part of a new and exciting Hollywood in the 70s and 80s. Hard to believe he was 89.
— Stephen King (@StephenKing) September 16, 2025
Our film, CODA, came to the attention of everyone because of Sundance. And Sundance happened because of Robert Redford. A genius has passed. RIP Robert. pic.twitter.com/nwttVD1GvL
— Marlee Matlin (@MarleeMatlin) September 16, 2025
Redford founded the Sundance Film Institute in 1981 and it became a breeding ground for independent US cinema, helping to establish the careers of Richard Linklater, Ava DuVernay, Rian Johnson, Kevin Smith and Stephen Soderbergh.
Colman Domingo posted on X: “With love and admiration. Thank you Mr. Redford for your everlasting impact. Will be felt for generations. R.I.P.”
William Shatner has offered his “Condolences to the family of Robert Redford.”
James Dreyfus wrote on X: “RIP Robert Redford. Terrific actor, brilliant director. Truly legendary.”
Key events
Trump on Redford: ‘There was a period of time when he was the hottest’
Photograph: Ken Cedeno/Reuters
The president has chimed in on the death of Redford, saying: “Robert Redford had a series of years where there was nobody better.”
Trump told reporters as he left the White House after a journalist told him that Redford had died. “There was a period of time when he was the hottest. I thought he was great.”
Redford’s stance on Trump changed over the years. In 2015 he told Larry King: “Look he’s got such a big foot in his mouth, I’m not sure you’re going to get it out. But on the other hand, I’m glad he’s in there.”
He added: “I’m glad he’s in there because him being the way he is, and saying what he says the way he says it, I think shakes things up and I think that’s very needed. Because on the other side, it’s so bland, it’s so boring, it’s so empty.”
Four years later during the calls for Trump’s impeachment, Redford’s opinion shifted. “It is painfully clear we have a president who degrades everything he touches,” he wrote in a Washington Post comment piece. “A person who does not understand (or care?) that his duty is to defend our democracy.”
He expanded on those thoughts later in the same year, admitting he wanted to “give the guy a chance” when Trump was first elected. But he concluded that: “Instead of the United States of America, we are now defined as the Divided States of America”.
‘Tech deprives us of being inventive on our own’
The Guardian sat down with Redford in 2016 when he was promoting Disney’s remake of 1977 cult classic Pete’s Dragon, which we called: “Part ET, part Jungle Book, part Peanuts. It’s sweet and soulful and Spielberg-ish, but with a bitter streak”.
The conversation quickly veered away from the film’s story concerning the friendship between a young boy and a dragon and into the threat to creativity that technology presented, back when few people had heard the term Large Language Model.
“I grew up at a time when there was no television, there was just radio. You didn’t have the aggressive technology you have today. There’s so much high tech that it deprives us of being inventive on our own. Technology deprives us of coming up with our own stories. We’re relying on stories being fed to us through technology and since I grew up at a time when that didn’t exist, you had to make up your own stories.”
The full interview with Guardian US collaborator Dave Schilling is here:
Ryan Gilbey
Back in 2019, Ryan Gilbey set about ranking Redford’s top ten performances.
As always with Ranked, positioning and omissions are supposed to spark debate (or ignite endless arguing. Should Indecent Proposal have been excluded from the top ten? Was All the President’s Men only worthy of fourth place? The debate continues. Here’s Ryan’s number one entry, the aforementioned Butch Cassidy and the Sundance Kid:
Redford’s sole Oscar nomination for acting was, rather shockingly, for The Sting, a complacent 1973 con-man comedy. But it was his first pairing with Sting co-star Paul Newman that distils the performer’s essence. Although the movie is unable to fess up to its bromantic longings – did any woman in a buddy movie ever look more like a gooseberry than poor Katharine Ross? – it’s still worth seeing for Redford’s sunny charm. Even then, it seemed to trouble him faintly, as though he was worried we might take him for a himbo. The studio did. “He’s just another California blond,” said one executive. “Throw a stick out of a window in Malibu, you’ll hit six like him.” But Newman helped win him the part. Redford got a shock when he saw the first cut. “I said: ‘What the hell is that song doing in there? Raindrops? It’s not even raining. On a bicycle?’”
The full top ten is:
10. Brubaker (1980)
9. The Twilight Zone – “Nothing in the Dark” (1962)
8. The Great Gatsby (1974)
7. Sneakers (1992)
6. Three Days of the Condor (1975)
5. All Is Lost (2013)
4. All the President’s Men (1976)
3. The Candidate (1972)
2. Downhill Racer (1969)
1. Butch Cassidy and the Sundance Kid (1969)
‘One of the lions has passed. Rest in peace my lovely friend’ – Meryl Streep pays tribute
Tributes are starting to appear on social media.
Meryl Streep, who starred in Out Of Africa and Lions For Lambs opposite Redford, said in a statement: “One of the lions has passed. Rest in peace my lovely friend.”
Stephen King said he was “part of a new and exciting Hollywood in the 70s and 80s”, while Marlee Matlin said a “genius has passed” and praised Redford for setting up Sundance film festival, which helped launch Coda.
Robert Redford has passed away. He was part of a new and exciting Hollywood in the 70s and 80s. Hard to believe he was 89.
— Stephen King (@StephenKing) September 16, 2025
Our film, CODA, came to the attention of everyone because of Sundance. And Sundance happened because of Robert Redford. A genius has passed. RIP Robert. pic.twitter.com/nwttVD1GvL
— Marlee Matlin (@MarleeMatlin) September 16, 2025
Redford founded the Sundance Film Institute in 1981 and it became a breeding ground for independent US cinema, helping to establish the careers of Richard Linklater, Ava DuVernay, Rian Johnson, Kevin Smith and Stephen Soderbergh.
Colman Domingo posted on X: “With love and admiration. Thank you Mr. Redford for your everlasting impact. Will be felt for generations. R.I.P.”
William Shatner has offered his “Condolences to the family of Robert Redford.”
James Dreyfus wrote on X: “RIP Robert Redford. Terrific actor, brilliant director. Truly legendary.”
Scott Tobias
PAUL NEWMAN and ROBERT REDFORD POSTER Photograph: 20th Century Fox/Sportsphoto/Allstar
Our picture editors have pulled together a life in pictures gallery of Redford, which runs through his astonishing career. It spans his early career as an unlikely star and includes his honorary Oscar and the award of his Presidential Medal of Freedom.
There are a couple of entries that cover his collaborations with Paul Newman, including Butch Cassidy and the Sundance Kid (poster above). Here’s an excerpt from Scott Tobias’ 50th anniversary piece from 2019:
Right away, Goldman establishes Butch as a charismatic mouthpiece for the quip-ready screenwriter, contrasting nicely with the Sundance Kid, Robert Redford’s taciturn sharpshooter. But he’s also created two heroes who break the western mold, neither justice-seeking white-hats nor grizzled, sneering black-hats, and not as traditionally masculine as either party. Butch is a man who appreciates beauty and art, but doesn’t have the stomach for violence; it’s not until late in the film that we (and the Kid) discover that he’s never shot a man before and he looks sickened to have to do it. He’s a pleasure-seeker above all else: robbing banks and trains are his way to make an easy living and enjoy whatever sinful freedoms his vocation affords him.
Audiences in 1969 were all too happy to embrace the light, quippy irreverence of Butch Cassidy and the Sundance Kid after a turbulent summer, and Goldman, director George Roy Hill, and the two impossibly handsome stars made them feel cool for doing it. True Grit had performed well earlier in the year as a throwback to the genre’s past, giving John Wayne a proper victory lap, but Butch Cassidy was thoroughly modern, a star-making vehicle for Newman and Redford that reflected a need for the genre to turn the page and that feels as much of its time as it does authentic to Wyoming in the late 1890s. With Ross at the center of a love triangle between friends, the film attempted to bring Jules and Jim to the American mainstream, taking a lesson from the French new wave on how to revivify old Hollywood craft.
It still works spectacularly well.
The full gallery is here.
Peter Bradshaw
Robert Redford began his career as a blond bombshell at a time when American cinema favoured grit, then turned into a supremely assured director and unlikely keeper of the indie flame, writes Guardian film critic Peter Bradshaw in his appreciation:
As the 1960s turned into the 1970s, it wasn’t cool for star actors to be good-looking. The style was more a scuffed, grizzled, bleary, sweaty, paunchy and shlubby realness. The fashion was for leading men like Gene Hackman, Jack Nicholson, Woody Allen. Even a very beautiful man like Paul Newman had a kind of rugged, daylit quality. But Robert Redford was very different. Here was a supremely beautiful movie star who went on to direct, produce and then be the guardian and gatekeeper of commercial-indie US cinema at his Sundance Institute. And he was always an outlier.
When movie audiences thrilled to George Roy Hill’s western Butch Cassidy and the Sundance Kid in 1969, they knew that in breakout star Redford they had an almost indecently attractive male, however much he might dress it down with buckskins and moustaches, playing the devil-may-care outlaw Sundance Kid himself. His sardonic charisma and sexiness shone through. And when he cleaned himself up for other roles, teaming up again with Newman for the Jazz Age conmen caper The Sting in 1973, the effect was electric. Neatly trimmed and shaved, Robert Redford was just outrageously handsome, incandescently handsome, he was handsomeness on legs. His photograph was in the dictionary next to “handsome”.
Robert Redford, giant of American cinema, dies aged 89
Robert Redford, star of Hollywood classics including Butch Cassidy and the Sundance Kid, The Sting and All the President’s Men, has died aged 89.
Redford’s publicist Cindi Berger says the actor died earlier today at his home “at Sundance in the mountains of Utah – the place he loved, surrounded by those he loved.”
“He will be missed greatly,” Berger says, adding that the family are requesting privacy.
Redford was one of the defining movie stars of the 1970s, crossing with ease between the Hollywood new wave and the mainstream film industry, before also becoming an Oscar-winning director and producer in the ensuing decades. He played a key role in the establishment of American independent cinema by co-founding the Sundance film festival.
Born Charles Robert Redford in 1936, he grew up in Los Angeles and, after he was expelled from the University of Colorado, studied acting at the American Academy of Dramatic Arts. Redford’s film breakthrough arrived in 1965: an eye-catching role as a bisexual film star in Inside Daisy Clover opposite Natalie Wood, for which he was nominated for a Golden Globe.
After a series of solid Hollywood films, including The Chase and a screen adaptation of Barefoot in the Park, Redford had a huge hit with the 1969 outlaw western Butch Cassidy and the Sundance Kid, in which he starred opposite Paul Newman and Katharine Ross. It was nominated for seven Oscars, though none were for the actors.
Read the full story here:
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